![glenn gould goldberg variations torrent mp3 glenn gould goldberg variations torrent mp3](https://images-na.ssl-images-amazon.com/images/I/51ZOfqxJujL._SS500.jpg)
In Take 3 he teases out certain crucial notes in the left hand in Take 4, to me, the melodic line sings out more prominently. Still, he shaves 8 seconds off the timing of Take 1 (which was 2 minutes, 7 seconds). In Take 2, he plays the aria more fleetly and brightly, though the tempo slows a little as the music unfolds. “Listen, hey, who the heck tuned this piano this morning, listen to this,” Gould says, thumping on a note that sounds off. He begins by playing the opening aria at a gently lilting tempo and with pristine clarity, though a hint of intensity hovers within. Gould’s restlessness courses through every track (at least those I listened to). Scott said, to complete the “Goldberg” recording. But it’s also what made it challenging, Mr. Scott explains in that 2004 interview, Gould “changed a lot as he recorded because he wanted to try different tempos, different accents, different phrasings, because that’s why he loved recording so much.” His restless, searching mind is part of what made his playing so engrossing and original. Clearly, in this recording, he was trying maintain a semblance of that “ephemeral,” “unrepeatable” immediacy. The flaws wouldn’t have bothered him a bit in a live concert.
![glenn gould goldberg variations torrent mp3 glenn gould goldberg variations torrent mp3](https://i.ytimg.com/vi/DMOxAWSNKv8/maxresdefault.jpg)
The demonic, perpetual-motion finale of the “Appassionata” Sonata, for example, has stretches of hectic, rushed and smudgy playing.īut Schnabel’s account also has exciting sweep and wondrous shadings. Listening today, you might wonder why he approved some of the takes. His discography includes a probing survey of Beethoven’s 32 piano sonatas, recorded in London during the early 1930s. Schnabel eventually decided that the potential benefits outweighed the downsides. The nature of a performance, he wrote in a memoir, “is to happen but once, to be absolutely ephemeral and unrepeatable.” The master pianist Artur Schnabel, for one, initially resisted entreaties to make records. What, I asked myself, was the point?Īnd yet the more I dipped into these takes, the more revealing they seemed - not just of Gould’s process, but also of the conflicting imperatives of making a recording. Hearing the intense young Gould at work during these arduous recording sessions, playing through a variation at a breakneck tempo with prickly sound, then playing it again, and again, and again, is not just exhausting it’s stupefying. And, for all his frenetic energy, in passage after passage, he brings out the music’s majesty, dancing grace and tenderness. It’s still amazing to hear the seemingly impossible clarity of Gould’s playing, the sometimes manically fast tempos. Scott, said it would be a “disgrace” to make them public.
![glenn gould goldberg variations torrent mp3 glenn gould goldberg variations torrent mp3](https://foto.mp3million.com/200/404/0146404.jpg)
![glenn gould goldberg variations torrent mp3 glenn gould goldberg variations torrent mp3](https://media.npr.org/assets/img/2012/03/19/goldberg_list_wide-acdd2f60d20dfab8bdcdec844c50132974cf9005.jpg)
But in a 2004 interview, the recording’s producer, Howard H. The tapes of those sessions were stored for years in the archives of Columbia Records, now Sony Classical. It also made the gangly, eccentric Gould an unlikely classical superstar. In four intense sessions in a Manhattan studio in June 1955, the 22-year-old Gould recorded his breathless, uncannily clear account of the “Goldbergs.” The release turned what had previously been considered a lengthy piece for harpsichord, of interest only to Bach specialists, into a runaway hit. For Bach lovers, Glenn Gould fans and pianists (I’m all three), here was perhaps the ultimate find of recording history, finally available: the nearly five hours of Gould’s complete recording sessions for his momentous debut album, Bach’s “Goldberg” Variations.”īut I couldn’t make it through, not even close. Sitting comfortably in my living room, I had every intention of listening to the boxed set that had recently landed with a thud in my mailbox.